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"I like the animals…but I love the humans. That was refreshingly unexpected but greatly appreciated. In keeping with the above, I am SO glad director Cameron Crowe went with a hug when most directors would have gone with First Kiss when this scene rolled around.
I guess this goes along with family friendly, but can I just state for the record how thankful I am no one got naked, no one even implied naked, and no kisses reached the tonsils. Here, each one will tell their own story…and I could almost smell that bear's bad breath and feel his nasty spit! 4.
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Lions and tigers and bears, oh my! From my earliest Wonderful World of Walt Disney movies on TV Sunday nights when I was a child, I loved features with animals. In Zoo, I feel Benjamin Mee's pain, I understand his challenges and I believe his tears are real. But his success isn't rooted in a pretty face, he has the ability to become The Father (or The Spy or The Soldier), not an actor playing the role.
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How can anyone not be a fan? From his award-winning debut writing and acting in Good Will Hunting, to Saving Private Ryan, the Oceans trilogy, the Bourne series and the disturbing The Talented Mr. Even brother Thomas Haden Church evolved believably from dissenter to supporter. Smoove (an endearing realtor), Colin Ford, (a broken-hearted, artistic and misunderstood teen), Kym Whitley (a Home Depot cashier with a timely word of encouragement). Scarlett Johannson toned down the heat for her role as Chief Zookeeper, and I loved Angus Macfadyen (a spirits drinking, large-living Scottish zookeeper), J.B. They played their roles well without resorting to cliche (mostly). Great cast.Īll the characters mattered to me. Director Cameron Crowe invited me into a story I cared about. Zookeepers love their job and want to keep it.
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A father needs to learn how to hear his son and build their relationship. The first time I saw the trailer for We Bought a Zoo, I thought it was comedy it's not. Her sparkle and shine could illumine Manhattan. Maggie's a stinkin' adorable, little finger-wrapping, scene-stealing charmer. It's the first time I've been introduced to Maggie Elizabeth Jones, and we can only hope she has the foundation and family support to remain sane it would be a crying shame if she morphs into a Lindsay Lohan or Miley Cyrus. (ADDED: A commentor shared one of her friend's opinions who had said "the cursing was out of control." While I don't agree with that harsh of a characterization (and I have older children), language IS one of the reasons the film earned a PG rating please consult Bob Hoose's review for a word-by-word count of "Crude/Profane Language.")
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She is, as far as i can judge, ready for a strong character drama.Alone on Christmas day this year, our family decided to catch an afternoon movie I might've been the only one moved to tearsĭon't judge me but everyone walked away praising this movie that exceeded already-high expectation.įor those with a need to know, I recall two occurrences of "adult" words one, an honest portrayal of father-son conflict and woundedness (appropriate to the scene), the other an almost shocking utterance by seven-year-old Rosie, said by her in ignorance to make a point, when a few other choices would have worked just as well. With that comes the very dissatisfying acting of Claflin and his love-affairs, as most of the other extra's. It makes the actors being mere puppets then initiators. Altogether, this makes the flow of the movie slow and unbelievable. a few scenes further the make-up must have thought: 'shit, we forgot something!!' and suddenly, out of the blue, Collins has a few gray hairs behind the ears. At some point the story takes a jump of 5 and guess what? Nobody changed. ehh.what just happened? Did i miss something? Contributing to this feeling is the horrible make-up. It's like me looking at my girlfriend saying. It gives the film very irrational time-leaps. Important moments, where drama could be cooking and ambivalent moments and intentions - which are the key element for drama - could be exposed, the writer just jumps over those moments and continues the story with only the consequences of that drama. It's just one moment, not very dramatic and way too thin to make them be insecure to each other for the rest of their twenties and thirties.
The initial moment of miscommunication between the two protagonists, which is supposed to serve as a foundation for the rest of the drama, is just one single moment of 'both-are-too-shy- to-speak-out-their-love'. The two protagonists are portrayed in their childhood. When the drama starts of we land in a cliché high school, teenage drama with shy kissing and flat expositions of insecureness etc. First of all i would not judge this film to strongly, since we're dealing with a sort of coming-of-age drama (although not being a real good excuse, right? producers.?).
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